CV
PATTY WICKMAN
EDUCATION
1983 M.F.A., University of Colorado, Boulder, CO
1981 B.F.A., Arizona State University, Tempe, AZ
SOLO EXHIBITIONS
2019 All is Leaf, Lora Schlesinger Gallery, Santa Monica, CA
2018 Shadow Plays, Olson Gallery, Bethel University, Saint Paul, MN
2009 Approaching Eden, Brehm Center, Fuller Theological Seminary, Pasadena, CA
2008 Overshadowed, Friesen Galleries, Nampa, ID
2005 Patty Wickman, Sheppard Fine Arts Gallery, University of Nevada, Reno, NV
2002 Patty Wickman, Baer Gallery, St. Norbert College, De Pere, WI
2001 Patty Wickman, Hunsaker/Schlesinger Fine Art, Santa Monica, CA
1996 A Thief in the Night, Dan Bernier Gallery, Santa Monica, CA
1993 Recent Work, Frederick Spratt Gallery, San Jose, CA
1991 Deborah Harris, Margaret Lazzari and Patty Wickman in Three 1 Person Shows, Los Angeles Contemporary Exhibitions, Los Angeles, CA
• Selected Works: 1982-1989, Union Gallery, San Jose State University, San Jose, CA
• Recent Paintings, d. p. Fong Galleries, San Jose, CA
1989 One Person Show, Guggenheim Gallery, Chapman College, Orange, CA
1988 One Person Show, USC Atelier, Santa Monica, CA
1984 Brunswick Gallery, Missoula, Montana
1983 One Person Show, Eve Drewelowe Gallery and Gallery 1, University of Colorado, Boulder, CO
TWO PERSON EXHIBITIONS
2016 Tim Hawkinson and Patty Wickman: Staring Off in the Same Direction, Duke Art Gallery, Azusa Pacific University, Azusa, CA (catalog)
2011 Acts of Meditation: Margaret Lazzari and Patty Wickman, Cathedral of Our Lady of the Angels, Los Angeles, CA
2003 Sharon Allicotti and Patty Wickman, Cerritos College Art Gallery, Cerritos College, Norwalk, CA
2000 Testament: Ruth Weisberg and Patty Wickman, curated by Michael Miller, University Art Gallery, CA Polytechnic State University, San Luis Obispo, CA
1997 Corpora in Extremis: Recent Work of Hanneline Rogeberg & Patty Wickman, Laband Art Gallery, Loyola Marymount University, Los Angeles, CA
1995 Figurative Forms: The Paintings of Ruth Weisberg & Patty Wickman, Heuser Art Center Gallery, Bradley University, Peoria, IL
GROUP EXHIBITIONS
2023 Deposition: Drawn, curated by Tim Lowly, Carlson Tower Gallery, North Park University, Chicago, IL
2022 To Bough and to Bend, Frederick R. Weisman Museum of Art, Lisa Smith Wengler Center for the Arts, Pepperdine University, Malibu, CA (2022-2023)
• Here After, Bridge Projects, Los Angeles, CA (catalog)
2021 Being Present, The Green Art Gallery & Bardwell Project Space, Biola University Art Department, La Mirada, CA
• The Shape of Life, curated by Gary Brewer, Wönzimer, Los Angeles, CA
2020 To Bough and to Bend, Bridge Projects, Los Angeles, CA (catalog)
2019 40 Years of Art at Michael’s, curated by Kim McCarthy, The Gallery at Michael’s, Santa Monica, CA
• Blessed Art Thou: Images of the Virgin Mary in the Ahmanson Collection, Ahmanson Gallery, Irvine, CA (catalog)
2018 L.A. Looking (or how to engage your stranger friends), curated by Colin Roberts, LAVA Projects, Alhambra, CA
2017 UCLA Benefit Exhibition, 3Labs, Culver City, CA
• Tactile: Function Re-envisioned, Gallery V, Pasadena City College, Pasadena, CA
2016 Staged, Sam Francis Gallery. Crossroads School for Arts & Sciences, Santa Monica, CA
2015 Better Far Pursue a Frivolous Trade by Serious Means than a Sublime Art Frivolously, curated by Lia Halloran and Rebecca Campbell, Fine Arts Gallery, Cal State LA, Los Angeles, CA
2014 Signs of Life, curated by John O’Brien, Sturt Haaga Gallery, La Canada Flintridge, CA
• Storytellers, curated by Jeff Rau, The Earl & Virginia Green Art Gallery, Biola University, La Mirada, CA (catalog)
2013 LA Woman: Yesterday, Today & Tomorrow, Forest Lawn Museum, Glendale, CA
• Inner Journeys, Outer Visions, curated by Sara L. Cannon, Los Angeles Municipal Art Gallery, Los Angeles, CA
2012 12 for 2012, Sylvia White Gallery, Ventura, CA
• Small Paintings, Lora Schlesinger Gallery, Santa Monica, CA
2011 The Artist’s Daughter: a group exhibition in tribute to George Tooker (1920-2011), curated by Tim Lowly, Carlson Tower Gallery, North Park University, Chicago, IL
2010 Without Moving (25), Fill in the Blank Gallery, Chicago, IL
2009 Group Think, curated by Margaret Lazzari, Duke Art Gallery, Azusa Pacific University, Azusa, CA (catalog)
• Broodwork, curated by Rebecca Neiderlander and Iris Anna Regn, Center for the Arts, Eagle Rock, CA
• Draw the Line, Lora Schlesinger Gallery, Santa Monica, CA
2008 Some Paintings, curated by Doug Harvey, Track 16, Santa Monica, CA
2007 Luck of the Draw, Hunsaker/Schlesinger Fine Art, Santa Monica, CA
• The S-Word: The State of Spirituality in Contemporary Art, curated by Ronald E. Sheen, Cathedral of Our Lady of the Angels, Los Angeles, CA
• Multiple Vantage Points: Southern California Women Artists, 1980-2006, curated by Dextra Frankel, Los Angeles Municipal Art Gallery-Barnsdall Park, Los Angeles, CA
• True Love Always, curated by Rebecca Campbell, Angles Gallery, Santa Monica, CA
2006 The S-Word: The State of Spirituality in Contemporary Art, curated by Ronald E. Steen, Judson Gallery, Los Angeles, CA
• Swell, curated by John Silvas and James Romaine, NYCAMS/New York Center for the Art & Media Studies, New York, NY
• Sixteen Tons: UCLA Department of Art Faculty Inaugural Exhibition, curated by Michael Darling, New Wight Gallery, UCLA, Los Angeles, CA
• Beyond the Likeness: Self-Portraits by California Artists, Triton Museum of Art, Santa Clara, CA
2005 A Broken Beauty: Figuration, Narrative and the Transcendent in North American Art, Laguna Art Museum, Laguna Beach, CA
• The Fall of the House: An Exhibition of Neo-Gothic Contemporary California Painting, Bronco Exhibit Gallery, Cal Poly Pomona, Pomona, CA
• Passion/Passover: Artists of Faith Interpret Their Holy Days, Cathedral of Our Lady of the Angels, Los Angeles, CA
• Contemporary Drawings as Preparation, Judson Gallery, Los Angeles, CA
2004 Drawings, Hunsaker/Schlesinger Fine Art, Santa Monica, CA
• Gio Ponti: Furnished Settings & Figuration, ACME, Los Angeles, CA
2003 Still Small Voice, curated by Tim Lowly, Adair Margo Gallery, El Paso, TX
• LA Post-Cool, Ben Maltz Gallery, Otis College of Art and Design, Los Angeles, CA
• Women on Painting, Cornell DeWitt Gallery, New York, NY
2002 LA Post-Cool, curated by Michael Duncan, San Jose Museum of Art, CA; traveled to Otis College of Art & Design, Los Angeles, CA (2002-2003)
• California Dream: Gleaning, curated by Barbara Drucker and Kady Hoffman, Liberia Accademia di Belle Arti, Brescia, Italy
• Paintings, Hunsaker/Schlesinger Fine Art, Santa Monica, CA
• Painting’s Edge: The Exhibition, Parks Exhibition Center, Idyllwild Arts, Idyllwild, CA
2001 Representing LA: Pictorial Currents in Contemporary Southern California Art, curated by Gordon Fuglie, Frye Art Museum, Seattle, WA; Art Museum of South Texas, Corpus Christi, TX; Laguna Art Museum, Laguna Beach, CA (catalog)
• Representing LA: California Narrative Painting, curated by Gordon Fuglie, Art Museum of South Texas, Corpus Christi, TX
• The Importance of Being Earnest, curated by Michael Duncan, Weingart Galleries and Mullin Sculpture Barn, Occidental College, Los Angeles, CA (catalog)
2000 Drawings V, Koplin Gallery, Los Angeles, CA
• Inaugural Group Show, Cornell DeWitt Gallery, New York, NY
• Animate / Inanimate, curated by Christopher Miles, INMO Gallery, Los Angeles, CA
1999 Painting: Fore and Aft, ACME Gallery, Los Angeles, CA
• Person/Place/Thing, Sam Francis Gallery, Santa Monica, CA
1998 Drawings, Hunsaker/Schlesinger Gallery, Santa Monica, CA
• Drawing, curated by Kim McCarty, St. Matthew’s School, Pacific Palisades, CA
1997 Subliminal Fictions, curated by Jay Belloli, Josine Ianco-Starrels, and Carole Ann Klonarides, Armory Center for the Arts, Pasadena, CA. (1997-1998)
• CA90001-185, W139, Amsterdam, Holland
• The Blake House Collection, curated by Kathleen Stoughton, The Blake House, Kensington, CA (1997-1999)
1996 Be Specific, curated by Michael Duncan, Rosamund Felsen Gallery, Santa Monica, CA
1995 Vital Signs, curated by Noel Korten and Margaret Lazzari, Los Angeles Municipal Gallery, Los Angeles, CA
1994 Contemporary & Beyond, The Art Rental and Sales Gallery, UCLA at the Armand Hammer Museum of Art and Cultural Center, Los Angeles, CA
• LAX: The Los Angeles Exhibition, Los Angeles Municipal Gallery, Los Angeles, CA
1993 Terror, Jose Drudis-Biada Art Gallery, Mount St. Mary’s College, Los Angeles, CA, November-December
• Peculiar Paintings, curated by Randy Sommer, Woodbury University Art Gallery, Burbank and The Metropolitan Momentary Contemporary, Los Angeles, CA, October-November
• Summer Group Show, Caplan Gallery, Santa Monica, CA, July-September
• Faceted Response: A Physical, Spiritual, and Emotional Dialogue, curated by Preston Metcalf, de Saisset Museum, Santa Clara University, Santa Clara, CA
1991 Go Figure: New Paintings of the Human Image, curated by Peter Frank, Pasadena City College Art Gallery, Pasadena, CA (catalog)
• 12th Annual LACE Benefit Art Auction, Los Angeles Contemporary Exhibitions, Los Angeles, CA, October (EXHIBITION AND AUCTION)
1990 Go Figure; new paintings of the human image, curated by Peter Frank, Pasadena City College Art Gallery, Pasadena City College, Pasadena, CA, December-February (1990-1991)
• Spirit of Our Time, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA, November-December
• LACE 5th Annuale, curated by James Luna, Los Angeles Contemporary Exhibitions, Los Angeles, CA, September-October
• Figurative Realities; Beyond the Form, Domenic Cretara, John Nava and Patricia Wickman, Triton Museum of Art, Santa Clara, CA, March-May (catalog)
1989 Group Show, Michael’s Restaurant, Santa Monica, CA, October-December
1987 Diversity and Presence, Traveling Exhibition beginning at U.C. Riverside, University Art Gallery and traveling to U.C. Irvine, U.C. San Diego, U.C. Davis, U.C. Santa Cruz, and U.C. Santa Barbara, November-January (1987-1989)
• His and Hers: Couples in Art, Works Gallery, San Jose, CA., April-May
• Young American Artists V, Mandeville Gallery, University of California, San Diego, La Jolla, CA, January-February
1986 Works on Paper, jurored by Alfred Leslie, Southwest Texas State University Art Gallery, San Marcos, TX, November
• Teaching Artists, Wight Gallery, University of California, Los Angeles, CA, October- November
• Four Painters, New Mexico State University Art Gallery, Las Cruces, New Mexico, September-October
• Wall Works, L.A. Artcore, Los Angeles, CA, April-May
1985 What Risk Does the Figure Run? II, Union Gallery, San Jose State University, San Jose, CA, November-December
• New Art in the West, Vorpal Gallery, San Francisco, CA, July-August
• Belief and Disbelief, San Jose Institute of Contemporary Art, San Jose, CA, February- March
1984 Arizona’s Finest Painting Invitational, Fine Arts Center of Tempe, AZ
• Invitational Drawing Exhibition, Hunter Museum of Art, Chattanooga, TN, and Art and Architecture Gallery, University of Tennessee, Knoxville, TN
• A New Order of Ten, Harry Wood Art Gallery, Arizona State University, Tempe, AZ
• Works on Paper/Works Not, San Jose Art League, San Jose, CA
1983 Group Show, Peter Miller Gallery, Chicago, IL
• 1983 Colorado Biennial, Jurored by Richard Koshalek, Martin Z. Margulies, and Lucas Samaras, Traveling Exhibition beginning at the Denver Art Museum, and traveling to Sangro de Cristo Arts and Conference Center, Western Colorado Center for the Arts, and Colorado State University (1983-1984)
• Creative Arts Symposium, Lory Center Gallery, Colorado State University, Fort Collins, CO
• Kansas Eighth National Small Painting, Drawing, and Print Exhibition, Jurored by Howard Wooden, Visual Arts Center, Fort Hays State University, Hays, KS
• A Cast in the Eye, UMC Fine Arts Center, University of Colorado, Boulder, CO
• National Drawing ’83, Jurored by Bernard Chaet, Holdman Art Gallery, Trenton State College, Trenton, NJ
• The Figure: New Form/New Function, Arrowmont School of Arts and Crafts, Gatlinburg, TN
1982 71st American Annual, Ned Rifkin, juror, Art Association of Newport, Newport, RI
• Artists at Work, Clayton Staples Memorial Gallery, Wichita State University, KS
• Arts ’82, Jurored by Albert Alhadeff and Diane Vanderlip, Boulder Center for the Visual Arts, Boulder, CO
• Salon des Refuses, Pirate Gallery, Denver CO
REVIEWS AND ESSAYS
2021 Davis, Genie, Gallery Rounds: The Shape of Life, Artillery Magazine, Jan 14
2019 Ollman, Leah, Epically Everyday, Los Angeles Times, October 9, E-3
• Brewer, Gary, Patty Wickman: Signs and Gestures, Art and Cake, https://artandcakela.com/2019/10/06/studio-visit-patty-wickman, October 6
• Ollman, Leah, In Patty Wickman’s Mesmerizing Paintings, Scenes Ripe With Meaning, Los Angeles Times online, https://www.latimes.com/entertainment-arts/story/2019-10-01/patty-wickman-lora-schlesinger, October 1
• Harvey, Doug, Wickmania 2019, Less Art, https://lessart.wordpress.com/2019/09/05/wickmania-2019/, September 5
2018 Hamilton, Amanda, Cast by the Light: Observations on Patty Wickman’s Shadow Plays, Exhibition Brochure, Bethel University, Olson Gallery
2016 Siedell, Daniel, What Matters, Azusa Pacific University Arts Press, pp. 4-26
• Willette, Jeanne, Tim Hawkinson and Patty Wickman, ArtScene, pp. 15-16, https://www.visualartsource.com/index.php?page=editorial&aID=3203, January
2013 Brown, Betty Ann, Inner Journeys, Outer Visions, ArtScene, April 1
2012 Harang, Matthew, Downtown Cathedral Provides Unexpected Art Experience, LA Contemporary Art Examiner, January 30
2010 Dupre, Judith, Full of Grace, Random House, NY, pp. 200-201
2009 Prescott, Theodore L, Desire and Longing, IMAGE Journal, #60, https://imagejournal.org/article/desire-and-longing/, Winter pp. 31-41
• Ollman, Leah, Tasty Bites Are Served on Paper, Los Angeles Times, June 26, D18
• Klabin, Karen, Broodwork: Creative Practice and Family Life, Coagula Art Journal, Issue #99, https://becster.org/images/broodwork/BWCoagula909.pdf
2008 Harvey, Doug, Some Paintings, L.A. Weekly, https://www.laweekly.com/some-paintings/, Jan 11-17
2007 Murphy, Jessica, Rumours of Angels, The Tablet, London, July
• Myers, Holly, Feminist Art Exhibit Measures Magic, Beauty, Los Angeles Times, March 13
• Myers, Holly, Considering Affairs of the Heart, Los Angeles Times, March 9 E21
2006 Willette, Jeanne, A Broken Beauty: Figuration, Narrative and Transcendence in North American Art, ArtScene, February
• Allen, Bobbie, A Broken Beauty: Suffering as Art, Los Angeles Times (Daily Pilot), https://www.latimes.com/socal/daily-pilot/news/tn-dpt-xpm-2006-01-13-cpt-atgalleries13-story.html, January 13
2005 Schoenkopf, Rebecca, Earthly Pain, OC Weekly, November 11
• Walsh, Daniella, The Radar Art, Riviera, November, pp. 102-104
• Prescott, Theodore L, editor, Bruce Herman, A Broken Beauty, William B. Eerdman’s Publishing Company, Michigan/Cambridge, U.K.
• O’Brien, John, The New Zeitgeist, ArtScene, May
• Scarborough, James, A Spiritual Collaboration, Tidings, March 11
• Carasso, Roberta, Contemporary Drawing as Preparation, ArtScene, February
2003 Myers, Holly, Redefining Boundaries of What’s Hip, Angeles Times, July 28, pp. E8-E9
• Gilbert, Rick, Sharon Allicotti and Patty Wickman at Cerritos College Gallery, Artweek, May
• Thorson, Alice, New Cool isn’t: California show continues art world’s post 9/11 flight from irony, The Kansas City Star, February 16
• O’Brien, Toti M., Misteri del Giardino, Lanterna Magica, Nemapress Editrice, Alghero, Italy, article on Patty Wickman, p. 5 and pp. 37-44
2002 Fischer, Jack, “LA Post Cool” looks inside, San Jose Mercury News, December 8, front page photo and pp. 3E-4E
• Micheletti, Elena, La valle racconta il Sogno Americano, Folio Bresciano, Cultura Libri & Societa, no. 7, December, pp. 9-10
• Migliaccio, Franco, Rassegne e Collettive, Terzo Occhio, Trimestrale d’arte Contemporanea, Anno XXVIII, no. 4, December, pp. 41-42
• O’Brien, Toti M., Notizie Dal Mondo: Misteri del Giardino (il lavoro di Patty Wickman), Alpar Periodico di Cultura, Anno XIV, no. 50, November-December, pp. 22-23
• Morandi, Albano, California Dream, Stile arte, Anno VII, no. 62, October/November, p. 22
• Lorenzi, Fausto, Brescia nella galassia di Los Angeles, Giornale di Brescia, Cultura Section, October 31 (2002)
• Ecco il sogno californiano, Giornale di Brescia, October 9. pp. 17, 29
• Duncan, Michael, Patty Wickman at Hunsaker Schlesinger, Art in America, October, p. 171
• Cooper, Jacqueline, In Search of the New Bohemians: The Flight and Possible Return of Passion to the Contemporary Art World, Side Street Magazine, an online journal, Summer
• Morris, Barbara, “LA Post-Cool” at the San Jose Museum of Art, Artweek, February
2001 Lasarow, Bill, Patty Wickman, ArtScene, December, p. 18
• Harvey, Doug, Shadow People: “Devices of Wonder,” Patty Wickman, Tim Noble & Sue Webster, LA Weekly, November 23-29, p. 43
• Pagel, David, The Mundane and the Miraculous, Los Angeles Times, November 23, F30
• Letran, Vivian, Go Figurative: Realism Returns to Art, Los Angeles Times, November 2
• Duncan, Michael, Patty Wickman, Art in America, October, p. 171
• Kofoed, Kristian, Representing LA: Pictorial Currents in Contemporary Southern California Art, February
• Fuglie, Gordon, Representing LA, Southwest Art, January, pp. 116-119
2000 Pagel, David, Realism and Imagination Coexist in “Drawings V,” Los Angeles Times, August 25, F24
• Worth, Alexi, Galleries–Chelsea, Inaugural Show, Goings on About Town, The New Yorker, August 7 and 14
• Starkey, Glen, The Art Testament, New Times, May 18–May 25, p. 25
• Harvey, Doug, It’s Chinatown, LA Weekly, May 5–11, p. 41
• Tahsuda, Kimberly, Artists Exhibit Creative Process, Mustang Daily, May
• English, Jennifer, A Case of Seeing Between the Lines, The Tribune, April 30, G5
1999 Fuglie, Gordon L., Passion Paintings: The Art of Patty Wickman, Image: A Journal of the Arts and Religion, p. 27–33, Number 25, Winter (1999-2000)
• Harvey, Doug, Closures, Openings, LA Weekly, Nov 26-Dec 2, p. 54
• Duncan, Michael, L.A. Portraiture: Post-Cool, Art in America, footnote reference, footnote no. 1, p. 130-131, August
• Williams, John, Sex: Portraits of Passion, Watson-Guptill Publications, New York, reproduction of painting, pp. 377, 398
1998 Gibson, William, introduction by, The Art of the X-Files, Harper Prism, reproduction of painting, p. 154
• Lucie-Smith, Edward, Adam, Rizzoli International Publications, Inc, New York, reproduction of painting, pp. 90-91
• Frank, Peter, Art Picks of the Week: “Drawings,” LA Weekly, August 14-20
1997 Auerbach, Lisa Anne, “Subliminal Fictions” at the Armory, LA Weekly, December 19- 25, p. 61
• Spaid, Sue, Foreign Policy: LA in Amsterdam, LA Weekly, December 12-18, p. 65
• Wilson, William, New Directions, Dead Ends in “Subliminal Fictions,” Los Angeles Times, F3, December 2
• Subliminal Fictions, ArtScene, December
• Peeters, Mark, Helter Skelter strijkt neer in Amsterdam, NRC Handelsblad, November
• Wilson, William, Corpora in Extremis, Los Angeles Times, April 1, F3
• Vangelisti, Paul, editor, Ribot 5: On History, Sun Et Moon Consortium, reproduction of Anonymous (with St. Agatha), p. 133
1996 Auerbach, Lisa Anne, Patty Wickman, Artforum, September, p. 116
• Cooper, Jacqueline, Patty Wickman, New Art Examiner, September, p. 43
• Tapley, George, Patty Wickman at Dan Bernier Gallery and Dan McCleary at Kohn Turner Gallery, Artweek, September, p. 24-25
• Pagel, David, Retelling Stories of Fame and Misfortune, Los Angeles Times, August 8
• Frank, Peter, ART Picks of the Week: John Paul Jones and Patty Wickman, LA Weekly, June 14-20, p. 110
• Pagel, David, Arresting Moments in Time Reveal a Harsh Reality, Los Angeles Times, June 14, F26
• Greenstein, M.A., Patty Wickman, World Art, issue #4, p. 83
• Miles, Christopher, City of Now, Lingo 5, pp. 54-62
1995 Frank, Peter, ART Picks of the Week: Vital Signs, Memoirs, LA Weekly, November 3-9, p. 130
• Frank, Peter, ART Picks of the Week: The Layered Look, Donald Krieger, LAX/94 at the Municipal Art Gallery, LA Weekly, January 13-19, p. 102
1993 Welsh, Clarissa J., Faceted Response at the de Saisset Museum, Visions Art Quarterly, Winter, p. 38
• Kapitanoff, Nancy, Not Just Pretty Pictures, Los Angeles Times, November 5, p. 11
• Maclay, Catherine, Figures of Silent Speech, San Jose Mercury News, May 7, p. 50
• Sherman, Ann Elliott, Figure Finders, Metro, April 29
1991 Frank, Peter, Art Pick of the Week, L.A. Weekly, April 12-18, p. 108
1990 Woodard, Josef, Spirit of Our Time, Artweek, December 20, pp. 16-17
• Crowder, Joan, Catching the Spirit of Our Time, Santa Barbara News Press, November 23, p. 22
• Burkhart, Dorothy, Art Mini-Reviews, San Jose Mercury News, May 11, p. 16 section D
• Jan, Alfred, The Classics Update, Artweek, May 3, pp. 13-14
• Burkhart, Dorothy, Startling Images Drive a Challenging Triton Show, San Jose Mercury News, April 13, pp. 15 section E
• Frantzis, Peggy, Triton Celebrates the Human Form, Santa Clara Valley Weekly, March 29, p. 7
• Burkhard, Dorothy, Best Bets, San Jose Mercury News, February 22
1988 Reyes, Eric, “Diversity and Presence” is Too Diverse, The California Aggie, August 15
• Ollman, Leah, U.C. Women Artists Prove Their Worth, Los Angeles Times, Orange County Edition, June 3
1987 Pincus, Robert L., “Spiritual Works of Young Artists Show Potential, The San Diego Union, January 15, E-6
• Stern, Lanning, publisher, Mumbo Jumbo, 1987 Edition 1, San Jose, CA pp. 18-19
1985 Jan, Alfred, Four Approaches to Figures, Artweek, March 16, p. 4
• Burkhart, Dorothy, Critic’s Choice, San Jose Mercury News, March 3
1984 Singletary, Suzanne, Colorado Biennial 1983, Artspace, Spring, p.23
1983 Fudge, Jane, Wickman Lends Dignity to Illness and Death, Boulder Daily Camera, August 19, p. 1
• Shannon, M., Gestures and Rituals of “Healing,” Colorado Daily, August 26, p. 11
• Neumann, M., Now You See It, Colorado Art Newspaper, November 1, p. 13
• Clurman, I., 1983 Colorado Biennial, Rocky Mountain News, December 9, pp. 7, 8W
• Shannon, Mark, An Eclectic Art Tour, Colorado Daily, December 30
TEACHING
2001-present UCLA, Professor, Painting and Drawing
1995-2001 UCLA, Associate Professor, Painting and Drawing
1985-1995 UCLA, Assistant Professor, Painting and Drawing
2011-2012 Laguna College of Art and Design, Mentor
1994-1995 Otis College of Art and Design, Visiting Faculty, Senior Studio
1984-1985 San Jose State University, Lecturer, Painting and Drawing
LECTURES
2022 Neuss, Linnéa Gabriella Spransy, co-curator, and Patty Wickman in conversation, Instagram Live, @bridgeprojects_la, July 27
2021 Visiting Artist Lecture, Zoom, University of Texas, Rio Grande Valley, Edinburgh, TX
2020 Lecture, Echo/Locate: Patty Wickman, Bridge Projects, LA, July 9: https://www.bridgeprojects.com/programs/echo-locate-patty-wickman
• Studio Visit, Zoom, Tim Lowly’s Advanced Painting Class, North Park University, Chicago, IL
2019 Gallery Talk, Lora Schlessinger Gallery, Santa Monica, CA
• Lecture, Anderson Ranch Arts Center, Aspen, CO
2018 Conversations in Contemporary Painting: Christina Valentine, Anna Freeman Bentley, Sadie Kirshman, Jane Neal, Brenna Youngblood, Patty Wickman, Ahmanson Gallery, Irvine, CA
• Lecture and Studio Visits, Bethel University, St. Paul, MN
2017 Lecture and Studio Visits, California State University, Fullerton, CA
2016 Windgate Artist in Residence Lecture, Graduate Studio Visits and Seminar, Azusa Pacific University, Azusa, CA
2014 Razor’s Edge Arts Conference, Conversation with Laura Lasworth and Jeff Rau, Biola University, La Mirada, CA
2013 Studio Visit and Lecture, California College of the Arts, Graduate Program
2010 Roundtable Symposium, Group Think, Azusa Pacific University, CA
2009 Lecture and Studio Visits, Art Department, Claremont Graduate University, Claremont, CA
2008 Lecture, Overshadowed, Northwest Nazarene University, Nampa, Idaho
2007 Discussion: The State of Spirituality in Contemporary Art with the Curator and artists Lynn Aldrich, John Frame, Ruth Weisberg and Patty Wickman, Cathedral of Our Lady of the Angels, Los Angeles, CA
• Gallery Talk, Multiple Vantage Points: Southern California Women Artists, 1980-2006, Conversations with the Artists, Los Angeles Municipal Art Gallery, Los Angeles, CA
• Lecture, Acts of Revelation: Recent Paintings & Drawings by Patty Wickman, La Canada Presbyterian Church, La Canada, CA
• Lecture, Garfield Undergraduate Lecture Series, USC Roski School of Fine Arts, Los Angeles, CA
• Lecture, Tim Ebner’s Painting Class, CSU Los Angeles, CA
2005 Gallery Talk, Rembrandt’s Late Religious Portraits, Point of View Series, The J. Paul Getty Museum, Los Angeles, CA
• Lecture, Graduate Lecture Series, USC School of Fine Arts, Los Angeles, CA
• Lecture, Laguna Art Museum, Laguna Beach, CA
2003 Lecture and graduate studio visits, Graduate Lecture Series, Claremont University, Claremont, CA
• Lecture, Vital Visions Lecture Series, California State Fullerton Department of Art, Fullerton, CA
2002 Gallery talk, “Dieric Bouts” “The Annunciation” and Caspar David Friedrich’s “A Walk at Dusk,” Point of View series, The J. Paul Getty Museum, Los Angeles, CA
• Lecture and Critiques, Painting’s Edge (advanced painting workshop), Idyllwild Arts, Idyllwild, CA
• Lecture and graduate studio visits, Graduate Lecture Series, Claremont University, Claremont, CA
• Public Lecture and classroom lectures, On Pictures and Reading Through a Glass Darkly, Killeen Chair Series 2001-2002 Human Nature and The Arts, The Killeen Chair of Theology and Philosophy, St. Norbert College, De Pere, Wisconsin
2001 Lecture, Graduate Lecture Series, Art Department, Arizona State University, Tempe, AZ
2000 Individual lecture co-presented with Ruth Weisberg, Visual Art Guest Lecture Series, California Polytechnic State University, San Luis Obispo, CA
1998 Guest Lecturer, Lily Summer Seminar in the Arts, Loyola Marymount University, Los Angeles, CA
• Visiting Artist Lecture, Mary Claire Steven’s class, The Buckley School, Los Angeles, CA
1997 Lecture, What is Contemporary Art? Lecture Series, Department of Art and Art History, Loyola Marymount University, Los Angeles, CA
• Symposium Participant, Ambiguity in 20th Century Art, Armory Center for the Arts, Pasadena, CA
• Symposium Participant, The Single Eye, Biola University, La Miranda, CA
• Visiting Artist Lecture, Lisa Adams’ class, Santa Monica College of Design, Art and Architecture, Santa Monica, CA
1996 Lecture, Lecture Series, Claremont Graduate School, Claremont, CA
• Public Lecture, Critiques and Seminar, Visiting Artist Program, University of Colorado, Boulder, CO
• Studio Visit by Professor Ron Steen’s Women Artists Class
1995 Lecture and Critiques, Heuser Art Center, Bradley University, Peoria, IL
• Visiting Artist Lecture, Bradley University, Peoria, IL
1994 Conversations with the Artists, Los Angeles Municipal Art Gallery, Los Angeles, CA
• Lecture, Speaker Series, Cal State Fullerton, Fullerton, CA
• Studio Visit by Lynn Aldrich’s Senior Seminar, Art Center, Pasadena, CA
1992 Lecture and studio visits for Linda Burnham’s Graduate Seminar, Otis/Parsons School of Art, Los Angeles, CA
1991 Lecture and Undergraduate Studio Visits, Otis/Parsons School of Art and Design, Los Angeles, CA, March
• Lecture, Union Gallery, San Jose State University, San Jose, CA
1990 Studio Visit and Lecture, University of California, College of Creative Studies, Santa Barbara, CA
1989 Lecture, Chapman College, Orange, CA
• Lecture, Arizona State University, Tempe, AZ
1988 Lecture, Art Lecture Series, UCLA, Los Angeles, CA
• Lecture, University of California, College of Creative Studies, Santa Barbara, CA
1986 Lecture, Visiting Artist, New Mexico State University, Las Cruces, NM
• Lecture, Art Lecture Series, UCLA, Los Angeles, CA
PANELS
2017 In Dialogue: E. Charlton Fortune and Liturgical Art for This Age, panel moderated by Michael Wright, with Todd Johnson, Bill Moore and Patty Wickman, Pasadena Museum of California Art, Pasadena, CA
2012 Chair, College Art Association Centennial Session: ‘Reclaiming’ the Studio as a Site of Production. Panel participants included Michele Grabner, Doug Harvey, Karen Kleinfelder and Amanda Ross-Ho
2009 Panel Participant, Towards a Theology of Art-Making, Practicing Theology Symposium, Biola University, La Mirada, CA
1997 Individual Presentation and Panel Discussion, moderated by Professor Ronald E. Steen, Los Angeles Contemporary Artists: Laura Lasworth, Ruth Weisberg and Patty Wickman, Visionaries Program, Orange County Museum of Art, Newport Beach, CA
1996 Panel Member, Self-Reflections: Women and Their Art (with Lita Albuquerque, Phyllis Green, and Eileen Cowin), Art Center, Pasadena, CA
1985 Panel member, What Risk Does the Figure Run?, Union Gallery, San Jose State University
AUCTIONS/FUNDRAISERS
2022 Friends of Ceramics, painted platter to benefit Ceramics program, UCLA, Los Angeles, CA
2017 UCLA Benefit and Exhibition, 3Labs, Culver City, CA
2009 Incognito, Santa Monica Museum of Art, Santa Monica, CA
2005 All California Juried and Invitational Auction & Exhibition, Laguna Art Museum, Laguna Beach, CA
2004 Art Out of the Box Benefit, Global Aids Interfaith Alliance, Armory Center for the Arts and Western Justice Center, Pasadena, CA
2000 Eighth Annual Miracle on Main Street Auction, Side Street Projects, Santa Monica, CA
1999 Seventh Annual Miracle on Main Street Auction, Side Street Projects, Santa Monica, CA
• The Bingo Ball, Santa Monica Museum of Art, Santa Monica, CA
• Silent Art Auction, Armory Center for the Arts, Pasadena, CA
1998 Sixth Annual Miracle on 18th Street, Side Street Projects, Santa Monica, CA
1997 Community Art-Reach Auction, Santa Monica Museum of Art, Santa Monica, CA
• Venice Art Walk Silent Auction, Venice, CA
1993 Venice Art Walk ’93 and Silent Auction, Venice, CA
• 14th Annual LACE Benefit Art Auction, Los Angeles Contemporary Exhibitions, Los Angeles, CA
1992 Out Auction, Los Angeles, CA
• 13th Annual LACE Benefit Art Auction, Los Angeles Contemporary Exhibitions, Los Angeles, CA
1991 12th Annual LACE Benefit Art Auction, Los Angeles Contemporary Exhibitions, Los Angeles, CA
CATALOGUES/EXHIBITION BROCHURES
2022 Anderson, Jonathan, Ted Gioia, and Jennifer Sliwka, Here After, Bridge Projects, Los Angeles, CA
2021 Brewer, Gary, The Shape of Life, Wönzimer, Los Angeles, CA
2020 Diaz-Perera, Alejandro Figueredo, Cara Megan Lewis et al., To Bough and to Bend, Bridge Projects, Los Angeles, CA
2019 Milliner, Matthew J., et al., Blessed Art Thou: Images of the Virgin Mary in the Ahmanson Collection, Pinatubo Press, Irvine, CA
2016 Siedell, Daniel A., What Matters, Azusa Pacific University Arts Press, Azusa, CA
2014 Rau, Jeff, Storytellers, Earl & Virginia Green Art Gallery, Biola University, La Mirada, CA
2006 Steen, Ronald E., The S-Word: The State of Spirituality in Contemporary Art, Judson Gallery, Los Angeles, CA
• Darling, Michael, Sixteen Tons, New Wight Gallery, UCLA, Los Angeles, CA
2005 Fuglie, Gordon, Passion/Passover: Artists of Faith Interpret Their Holy Days, Cathedral of Our Lady of the Angels, Los Angeles, CA (EXHIBITION BROCHURE)
• Steen, Ronald E., Contemporary Drawing as Preparation, Judson Gallery, Los Angeles, CA
2002 Duncan, Michael, LA Post-Cool, San Jose Museum of Art., San Jose, CA (EXHIBITION BROCHURE)
• Hoffman, Fred, A Sense of Individualism, California Dream, Massetti Rodella Editori, Brescia, Italy, pp. 18-24
2000 Fuglie, Gordon, Representing LA: Pictorial Currents in Southern California Art, Frye Art Museum in association with the University of Washington Press, Seattle and London, p. 66 & 68
1995 Lazzari, Margaret and Korten, Noel, Vital Signs, Los Angeles Municipal Gallery, Los Angeles, CA
1994 Gudis, Catherine and Schottlaender, Sherri, editors, LAX/94: The Los Angeles Exhibition, Los Angeles, CA
BOOKS (visual contributions):
2010 Dupré, Judith, Full of Grace: Encountering Mary in Faith, Art and Life, Random House, New York, reproduction of painting and text, pp 200-201)
1999 Williams, John, Sex: Portraits of Passion, Watson-Guptill Publications, reproduction of painting, p. 377 and 398
1998 Gibson, William, introduction by, The Art of the X-Files, Harper Prism, reproduction of painting, p. 154 (1998)
• Lucie-Smith, Edward, Adam, Rizzoli International Publications, Inc, New York, reproduction of painting, p. 90-91
1997 Vangelisti, Paul, edited by, Ribot 5: On History, Sun Et Moon/Consortium, St. Paul, MN, reproduction of painting, p. 133
1994 Vangelisti, Paul, edited by, RIBOT, Sun Et Moon/Consortium, St. Paul, MN, original art produced for publication
1984 Woman Image Now, Volume 2: II, April
COLLABORATIVE PROJECTS
2017 Tactile: Function Re-envisioned, collaborative painting project with Doug Harvey, Gallery V, Pasadena City College, Pasadena, CA
2015 Life, Drawing, Invited Artist, project by Susan Silton, Los Angeles, CA
2010 Without Moving (25), collaborative project with Tim Lowly, Fill in the Blank Gallery, Chicago, IL
